

This composition reads like a palimpsest of lived experience—layer upon layer of translucent ochres, ember reds, and chalked whites, where forms nearly cohere into figures and architecture before dissolving again into gesture. The eye is pulled through a restless lattice of lines and scraped passages, suggesting an urban memoryscape in which movement, noise, and private thought occupy the same crowded plane. Light is not depicted so much as excavated: it appears in sudden pale openings that feel like brief clarity within emotional congestion. The work ultimately becomes a meditation on perception itself—how the city, and the self, are assembled from fragments, revisions, and half-recalled encounters.