



This work suspends a fragmented architectural mass in an ocean of pale, vibrating marks, as if a city has been lifted into memory and rebuilt from stained-glass seams. Black linear scaffolding cages luminous planes of blue, ochre, and rust, turning structure into a porous organism where interior and exterior trade places in restless tessellation. Small red fish orbit the form like living punctuation, suggesting currents of time and instinct that ignore human geometry, while the surrounding emptiness reads as both water and silenceβan atmosphere in which order feels provisional, tender, and afloat.







