Untitled 2

This work builds a quiet intensity from relentless repetition: a woven lattice of minute vertical and horizontal strokes that turns the picture plane into a calibrated field of vibration. Soft aquas and greens are repeatedly interrupted by warm oranges and reds, so that color behaves less as surface decoration than as a pulse moving through an ordered system. The slightly irregular edges and micro-shifts in alignment prevent the grid from becoming purely mechanical, letting a sense of human tempo—breath, labor, counting—flicker inside its discipline. In the push-pull between structure and shimmer, the piece reads like a portrait of modern perception itself: patterned, saturated, and perpetually in motion.