Untitled 12

Suspended against a field of sun-baked ochre, the composition assembles a fractured skyline of blocks and verticals, as if an urban memory has been compressed into a single, hovering band of architecture. Cool whites and slate blues flare like brief illuminations within the denser maroons and umbers, creating a pulse between presence and erasure—construction and ruin held in the same breath. The serrated, comb-like marks and dragged edges give the surface a nervous vibration, suggesting the city not as a place, but as a continually rewritten record of human insistence.