Untitled 6 (Reclining Figure)

This ink drawing stages the nude figure as both landscape and architecture, its reclining curve braced by a lattice of hatch marks that read like scaffolding over living skin. The spareness of the line heightens vulnerability, while the patterned shadows and bead-like accents introduce a private ritual—ornament becoming a quiet form of protection. By compressing the body into a low, horizontal span, the composition turns intimacy into structure, suggesting how desire and self-containment coexist in the same breath.