Red Brown Black (Urban Tapestry**)

This abstract composition stages a tense dialogue between luminous, stratified planes and a dominant swath of darkness, as if architecture and shadow are negotiating possession of the same space. Warm ochres and ember reds flicker through translucent blocks like fragments of memory—half-registered, half-erased—while vertical fissures and hard-edged silhouettes suggest doors, corridors, or figures caught in passage. The surface reads like a palimpsest of urban traces, where light is not simply illumination but a persistence that insists on being seen. In its push-and-pull of opacity and revelation, the work evokes the psychology of the built world: intimate, claustrophobic, and quietly radiant with resilience.