



This abstract composition reads like a tectonic meeting of elements—cool turquoise and deep indigo pooling against expanses of sanded beige—where pigment behaves as both water and stone. The artist’s fine webbing and crosshatched texture lends the surface a geological memory, as if time itself has been pressed into the paper in layers of sediment and tide. Negative space becomes a quiet breath between masses, allowing the eye to drift along soft boundaries that feel at once eroded and newly formed. In its restrained palette and patient flow, the work suggests a meditation on thresholds: where calm yields to depth, and where clarity dissolves into the unknown.







