Untitled 62 (Celestial Harmony)

Rendered in austere black line on a field of white, this winged, goddess-like figure feels less like a character than a living diagram of breath—her exhalation unfurling into cords, beads, and a lute-like instrument that binds body to sound. The composition swells outward in symmetrical wings and curling cloud-scrolls, turning negative space into a kind of silence that makes the drawing’s dense filigree read like music notation. Tension arises between the sensual, rounded anatomy and the almost mechanical geometry of strings and frets, suggesting devotion and discipline intertwined—ecstasy held in structure. In this way the work becomes an allegory of creation itself: ornament as resonance, line as vibration, and the divine as something played into being.