

This diptych drifts between aerial map and dissolving memory, where milky currents of white and pale blue seep through darker stone-like forms as if time itself were washing the ground clean. The composition hinges on a quiet vertical seam, splitting a shoreline of fragments into two breathsβone dense with submerged weight, the other opening toward a cooler, more spacious horizon. Rusted oranges and mineral greens flicker inside the rocks like buried embers, suggesting resilience beneath erosion and the tender persistence of matter against continual change. In its veiled atmosphere and porous edges, the work reads as a meditation on thresholds: land and water, presence and absence, what remains and what is carried away.