

Cast in a silvery, scarred surface, the profile head feels less like a portrait than an artifact—time-worn, mute, and heavy with memory. The rectangular aperture that interrupts the face becomes a brutal “viewfinder,” collapsing vision into a boxed fragment and suggesting how perception is edited by mechanism, trauma, or habit. Subtle shifts of light skim the rough planes, turning abrasions into topography and making the figure’s stillness read as both containment and quiet resistance. In the stark black surround, the work stages an intimate conflict between inner sight and outer surveillance, where identity is reduced to what can be framed and extracted.







