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Elijah Receiving Bread from the Widow of Zarephath Gm-00072701

CHF 20
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Stretched Canvas (28" x 28") 70 x 70cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Giclee Matte Art Paper (30" x 40") 75 x 100cmStretched Canvas (24" x 48") 60 x 122cmStretched Canvas (24" x 36") 60 x 90cmStretched Canvas (18" x 24") 45 x 60cmStretched Canvas (16" x 20") 40 x 50cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (32" x 48") 80 x 122cmGiclee Matte Art Paper (24" x 36") 60 x 90cmGiclee Matte Art Paper (18" x 24") 45 x 60cm
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Giovanni Lanfranco (Italian, 1582–1647) In Giovanni Lanfranco's highly original design, a few large figures stand in a shallow foreground space. Using a low viewpoint and dramatic foreshortening, Lanfranco depicted the figures as if seen from below, imbuing them with monumentality. The powerful composition communicated both to spectators standing far away and to viewers standing beneath the painting.

In this Old Testament story (1 Kings 17:8-24), the poor widow of Zarephath nourished Elijah in the desert with bread baked from a supply of grain that Elijah had assured her would be miraculously renewed by God. In Catholic theology, the widow's bread prefigured both the bread served at the Last Supper and God's sustenance of each Christian's spirit through the sacrament of the Eucharist.

Appropriately, this picture and Moses and the Messengers from Canaan flanked a painting of the Last Supper in the large Chapel of the Blessed Sacrament in the church of San Paolo fuori le Mura (Saint Paul Outside the Walls) in Rome. Six additional paintings by Lanfranco, all related to the Eucharist, also hung high on the walls of the chapel.

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