Untitled

This abstract composition reads like a velocity-saturated landscape, where bands of electric blue and ember red shear across a dark ground, turning space into a corridor of motion rather than a place to rest. The diagonal thrusts and blurred transitions suggest a world glimpsed in passing—memory, travel, and sensation compressed into streaks of light—while the black intervals act as pauses that heighten the drama of each chromatic flare. A thin, luminous edge along the lower register behaves like a horizon line, offering a fragile sense of orientation amid the painting’s otherwise destabilizing current. The work ultimately becomes a meditation on perception itself: how intensity arrives, smears, and disappears before the mind can fully name it.