

This triptych stages the city as a shifting psyche: three vertical fields where architecture flickers between presence and erasure, as if memory were building itself in real time. Saturated blues and sea-green planes hold luminous, window-like punctuations—small embers of yellow and red—that read as private lives briefly exposed within a surrounding dusk of black. The composition’s stacked rectangles and veiled brushwork create a rhythm of interruption and return, suggesting urban inhabitation as both shelter and surveillance, intimacy and distance. Across the panels, light becomes the narrative force—fragmented, guarded, persistent—insisting that even in the densest shadow, human presence leaves a coded glow.







