Composition No 310 (Rhythmic Harmony)

This work stages a restless conversation between heat and erosion, where bands of ochre, ember-orange, and sunlit yellow sweep across the surface like weather systems moving through a scorched terrain. Repeated ring-forms—half stamped, half dissolved—hover as traces of touch and memory, suggesting the residue of industrial marks or ritual imprints caught in motion. The composition’s scraped whites and smeared darks puncture the chromatic momentum, creating a push-pull between construction and decay that feels both urgent and strangely buoyant. In its layered abrasions, the painting reads as a palimpsest of lived time—energy deposited, disrupted, and reassembled into a luminous, fractured rhythm.