



This painting constructs a city from faceted planes that hover between architecture and memory, as if buildings were being recalled rather than observed. A dominant green atmosphere—cool, aqueous, and immersive—dissolves edges and softens depth, while sharper blue and umber forms rise like quiet assertions of structure within the haze. The scattered apertures and truncated towers suggest habitation without inhabitants, turning the urban mass into an inward landscape where permanence feels provisional. In its mosaic of overlapping shapes, the work speaks to how places accumulate as layered impressions: stable in silhouette, yet emotionally mutable in light.







