

A cool, verdigris field becomes a quiet atmosphere for a storm of red and chalky fragments, as if the surface has been weathered into memory and then reassembled in midair. The composition holds a dense, darkened nucleus that breathes outward, drawing the eye through a granular constellation of marks and splinters that alternately read as celebration and debris. Light is not depicted so much as embedded—caught in scuffed whites and exposed underlayers—suggesting resilience within abrasion and the persistence of order inside apparent disorder. The work feels like an aerial meditation on entropy: a map of impact where rupture becomes rhythm and scattering becomes a kind of uneasy harmony.