

This wall-mounted constellation of concentric discs turns color into a kind of quiet acoustics—each circular pulse radiating outward like a remembered rhythm, then arrested in sculptural relief. Set against cool, rectilinear panels, the saturated reds, blues, and greens behave like emissive cores, creating a measured tension between strict modular order and the sensual insistence of hand-built pattern. The staggered arrangement reads as both taxonomy and orbit, suggesting a system where individuality persists inside repetition, and where perception itself becomes the subject: how the eye migrates, harmonizes, and is briefly dazzled. In the interplay of shadow, depth, and chromatic gradation, the work proposes a contemporary mandala—less devotional than meditative, mapping attention as a spatial experience.







