R.B. Kitaj. Pastels and drawings | Marlborough Fine Art 1980

Study for an Exhibition of Violence in Contemporary Art | ICA London, 1964

Gordon Young: The Artist in Conversation with Richard Deacon | Yorkshire Sculpture Park wire-bound booklet, 1992

Hans Schleger (1898–1976) | Nene College poster exhibition, 1996 introduction by Paul Rand with contributions from George Him and Pat Schleger

David Prentice | The John Davies Gallery, 1996

Visual Function: An Introduction to Information Design by Paul Mijksenaar | 010 Publishers, Rotterdam, 1997

Waverley: a New Intertype Typeface | Type specimen booklet, 1941?

Metal Thread Embroidery by Barbara Dawson | B. T. Batsford, 1968

Leaflet 200th anniversary of birth of Mozart concerts Royal Festival Hall 1956

Art Direction – The Magazine of Visual Communication | June 1969 XXI No. 3

Prospectus for Ana The Runner by Patrick Miller Golden Cockerel Press 1937

British Romantic Artists by John Piper | William Collins, 1942

Roman Books And Their Impact by O.A.W. Dilke | Promotional leaflet | The Elmete Press, 1977

Wellenreiter | Daniel Blau, Munich 2019 – small leaflet

R. Crumb's Heroes of Blues, Jazz & Country | Introduction by Terry Zwigoff | Abrams, 2006

John Hoyland Paintings exhibition catalogue | The Waddington Galleries, 1970 | catalogue design by Gordon House

Hidden Hands. A different history of Modernism | Frances Stonor Andrews | Channel 4, 1995

Pop Art in England, Beginnings of a New Figuration | Kunstverein, Hamburg, York | 1976 catalogue

The Twentieth Century – August 1956, Vol. 1956 Vol CLX No 954 | Edward Bawden cover

Peter Schoeffer of Gernsheim and Mainz by Hellmut Lehmann-Haupt, 1950 | The Printers’ Valhalla. The Printing House of Leo Hart

Shezad Dawood: Towards the Possible Film | Parasol unit, London 2014

An Ariel Poem - Mountains by W.H. Auden illustrated by Edward Bawden, Faber & Faber 1954 unopened envelope

The London Group. The St Ives Connection | Belgrave St Ives, 2018

Burning the Box of Beautiful Things by Alex Seago | Oxford University Press 1995

Anj Smith: Paintings | Anj Smith & Barry Schwabsky | Nyehaus and Foundation 20 21, 2007

A Humument page 67 'vulgar call it vulgar' by Tom Phillips | The Tetrad Press, 1970

Making Worlds | Participating Countries, Collateral Events | Venice Biennale 2009

Ticket and Showcard Designing by F. Arthur Pearson | Sir Isaac Pitman & Sons 1932

Blue Room. Yang Shao Bin | Ullens Center for Contemporary Art in Beijing, 2010 catalogue

My Affair With Modern Art – Katharine Kuh | Edited Avis Berman 2012

New Painting 58-61 | Arts Council exhibition catalogue | 1965 reprint version

Etchings from the Arts Council Collection | undated intro Philip James

Gerard Hoffnung 1925-1958 Brighton Festival 1968 | Brighton College of Art

alive to it all | Arts Council folder catalogue and postcards 1983

A Shorte Introduction of Grammar by William Lily | 1945 facsimile edition

Paris Guide offert par l’Hôtel du Palais, 1913 vintage travel guide

Franz Ackermann. Naherholungsgebiet | Kunstmuseum, Wolfsburg, 2003

Mauro Perruchetti | Beaux Arts 2004 – exhibition catalogue, with private view invite

Monotype News Letter 44 | April 1952 – How and Why Type Faces Differ | Broadsheet

Keepsake presented to the Friends of The Composing Room, Inc. A Specimen of Printing Types Benjamin Franklin Bache's Printing Office

Trademarks of the ‘40s & ‘50s by Eric Baker and Tyler Blik | Angus & Robertson, 1989

Klaus Lehmann: serendipity | Galerie Metzger, 2017

Liebig small paper advert Antica marca prodotti Compagnia Italiana Liebig 1954

Important Announcement to Users of Intertype Matrices | 1959 booklet

The Fine Art Collections – Pallant House catalogue 1990 | Text by David Coke

Cambridge Opinion magazine | No. 52, 'Revolution' | Edited by Peter Kellner, 1968

1997 reprint of the text 'Warm Printing' by Willem Sandberg – from the 1969 Stedelijk Museum exhibition

The Triumphant Bore. A celebration of Marc Brunel’s Thames Tunnel | James Howden