Untitled

This suite of verdant abstractions reads like a shifting ecology of memory—each panel a sedimented field where translucent greens and sea-glass blues accumulate, erode, and reappear as if weathered by time. The composition privileges atmosphere over figure, yet faint vertical traces and bruised patches of gold suggest a half-glimpsed grove or ruin, hovering between growth and decay. Light seems to seep from within the layers rather than fall upon them, turning the surface into a quiet, breathing depth where presence is sensed more than declared. In its repetition with subtle variation, the work becomes a meditation on renewal: nature not as depiction, but as pulse, patina, and persistence.