On My Way (Azure Echoes)

This four-panel abstraction reads like a fragmented mural excavated from memory: indigo planes and granular fields collide with pale, almost luminous interruptions, as if light is leaking through torn layers of urban skin. The looping, calligraphic contours suggest a language on the verge of legibility—gesture becoming structure—while the repeated vertical format turns each panel into a separate breath within the same sentence. Across the sequence, figure and ground continually trade places, creating a quiet tension between concealment and revelation that feels both architectural and intimate, like mapping an inner city of thought.