Untitled 53 (Diptych)

This panoramic abstraction unfolds like a weathered memory of landscape—greens and ochres press forward only to be erased by veils of grey, as if the scene is continually being rebuilt and undone. The composition hinges on a central axis where fractured planes and scraped passages create a palpable tension between structure and dissolution, suggesting architecture collapsing back into terrain. Electric blues at the edges act as atmospheric apertures, lending the work a restless illumination that reads less as sunlight than as emotional charge. In its layered scumbling and exposed underpainting, the piece speaks to impermanence: a place not simply depicted, but excavated, where presence is measured by what has been rubbed away.