Untitled 12 (Urban Tapestry)

This monochrome abstraction stages a dense, charcoal-like field that feels both architectural and atmospheric, as if a wall of memory is being rubbed into visibility. Veils of gray wash and grainy texture collide with sharp, calligraphic slashes and hairline diagonals, creating a tense dialogue between control and erasure. Light appears not as illumination but as abrasion—white margins and scraped passages that insist on breathing room within the weight of accumulated marks. The work reads like a fragment of an urban palimpsest, where presence is repeatedly overwritten yet stubbornly persists in the scars of the surface.