Untitled 25 (Urban Echoes)

This austere monochrome composition stages architecture as a psychological terrain: broad planes of chalky white are interrupted by a looming vertical shadow that reads like a fault line running through the image. Ink-like drips descend from ledges and seams, turning the stillness of built form into a record of time, erosion, and unspoken pressure. The cropped geometry and tightened spatial depth deny panoramic certainty, leaving the viewer suspended between interior and exterior—between shelter and exposure—where light feels less like illumination than interrogation.