



A monumental donkey, its hide tessellated with pale blossoms, stands like a living reliquary—part burden, part sanctuary—while a quiet storm of yellow petals drifts through the darkened air as if time itself were shedding. Below, a curled child in a blue mask and a fragile paper boat collapse the scene into an oneiric tenderness, suggesting flight and play reduced to stillness, protected yet abandoned. The composition hinges on this uneasy proximity—animal and sleeper, weight and vulnerability—where warm, shadowy florals in the background read as both garden and bruise, turning innocence into a kind of nocturnal ritual.







