Untitled 105 (Abstract Colors)

A broad field of saturated blue holds the composition in a suspended calm, yet it is continually breached by eruptions of vermilion and ember tones that surge upward like heat rising from an unseen ground. The surface—scumbled, scraped, and reworked—turns pigment into memory, where bright acidic greens flicker as brief signals amid darker, soot-like passages that suggest friction and weathering. The eye is drawn between a luminous, veiled vertical on the right and the dense red strata below, as if the painting stages a threshold between containment and release. In this push and pull of cool expanse and fiery compression, the work reads as an emotional topography: resilience built from disturbance, light discovered through abrasion.