Untitled 106

A saturated field of cobalt and ember-red collides in layered planes, as if the painting is assembling a landscape from memory rather than observation—fragments of structure surfacing and dissolving in the same breath. The heat of the lower register pushes forward like lived experience, while the cool blue above recedes into a contemplative distance, creating a tense, hovering architecture of space. Scraped textures and veiled edges suggest erasure and rewriting, turning the composition into a meditation on how places—and selves—are continually reconstructed through time.