



Arranged like a contact sheet of fleeting memories, the work splices together miniature tableaux where animals, leaves, and mechanical fragments drift through bands of burnt umber, moss green, and night-slate as if caught between dream and documentation. The perforated film borders impose a measured cadence, yet within each frame forms loosen into playful mutations—giraffe silhouettes, looping vines, wheel-like icons—suggesting a natural world edited by technology and recollection. Light behaves less as illumination than as chemical stain, blooming and fading across panels to evoke the fragility of recorded time and the way narratives are assembled from partial, imperfect exposures. In this stitched sequence, the viewer reads not a single story but an ecology of symbols—migration, invention, and childhood wonder—held in the tender uncertainty of montage.







