



Arranged like a spool of fragmented memory, the work unfolds in filmstrip panels where a solitary figure, starkly inked in black, drifts through shifting terrains of bark, water, and weathered walls. Acid greens and washed blues collide with bruised oranges, creating a rhythmic alternation between tenderness and abrasion, as if each frame were a held breath between departure and return. Recurring motifsβroots gripping earth, suspended garments, and small red boatsβbecome quiet emblems of attachment, vulnerability, and the persistent urge to cross from one emotional shore to another. The sequential composition turns narrative into sensation: not a story told cleanly, but a life recalled in flashes, where intimacy survives through the very gaps that interrupt it.







