

This geometric abstraction orchestrates a quiet drama of balance and interruption, where cool blues and slate greys are punctuated by embered circles that read like small suns held in suspension. Interlocking planes and arcs create a disciplined architecture of space, yet the shifting alignments and cropped curves suggest movement—an internal rotation—beneath the surface calm. The central vertical axis acts as a hinge between two registers of experience: one more luminous and open, the other edged by shadowed black forms, as if the painting is weighing clarity against concealment. In its measured color blocks and precise divisions, the work becomes a meditation on how order is built—piece by piece—out of competing impulses.







