

This geometric abstraction orchestrates a city of planes and corridors where cool blues establish a measured architecture, and the severed discs of orange and red punctuate the calm like signals—sun, warning, or desire—caught in transit. Diagonal black bands cut through the composition with decisive force, creating a sense of motion and fracture, as though the viewer is crossing intersecting routes of memory and modernity. The layered blocks of color feel simultaneously constructive and obstructive, suggesting that clarity is always negotiated—built from angles, interrupted by shadows, and redeemed by small, luminous thresholds.







