Untitled 3

This abstract landscape unfolds like a memory half-retained, where ochre and smoke-grey planes stack and slip past one another, proposing a terrain built as much from time as from place. Veils of muted light soften the hard-edged blocks, while scraped whites and small blue-green apertures read as fleeting clearings—moments of breath within the dense sediment of paint. The composition’s staggered geometry suggests architecture dissolving back into earth, a quiet meditation on impermanence and the way perception continually edits what we think we know. In its restrained palette and weathered surfaces, the work holds a hushed resilience, inviting the eye to wander and reconstruct its own horizon.