Untitled 153 (Golden Hour)

This abstract composition unfolds like a sunlit palimpsest—layers of ochre, honeyed gold, and muted clay are scraped back and reasserted, suggesting time’s sediment and the quiet persistence of memory. Broad fields of warm color are interrupted by angular, semi-translucent planes, where a cool turquoise veil briefly tempers the heat and introduces a breath of distance. The interplay of opacity and abrasion turns light into a tactile substance, as if illumination itself has been weathered, leaving behind a contemplative architecture of presence and erasure.