



A monolithic black disc presides over a rigorously partitioned field, its quiet weight compressing the surrounding quadrants of primary color into a tense, measured equilibrium. Below, the geometry fractures into stratified bands and scraped passages, where the surface feels excavated—part landscape, part memory—suggesting time as sediment rather than sequence. The dialogue between the immaculate, eclipsing form and the bruised, painterly register proposes a meditation on order and entropy: an idealized cosmos above, and the restless, lived world below.







