Bindu 1 (Bindu)

A severe black disc—like an eclipse pinned to a measured square—becomes the quiet arena where a vertical procession of circles reads as both chakra-like ascent and a calibrated scale of states: light to heat, pulse to depth, and finally to the withheld hush of near-black. The surrounding quadrants of ochre, vermilion, and cobalt press inward as if the world’s elemental forces are held in tension at the edge of a contemplative void, making color feel less decorative than symbolic weight. Precision of geometry is softened by the grain of the surface, allowing the work to hover between sacred diagram and modernist reduction, where balance is achieved not through harmony alone but through disciplined containment.