Untitled 6 (Zebras and Patterns)

Set against a saturated red field that reads like both alarm and ritual backdrop, the zebras emerge as carved emblems—black and white bodies etched with meticulous patterning that turns natural stripe into deliberate language. Ribboning, serpentine forms coil through the space, alternately enclosing and connecting the animals, so the composition feels less like a landscape than a choreographed current of forces—instinct, kinship, and pressure. The stark tonal contrast makes each figure hover between vulnerability and defiance, suggesting a fragile order maintained within a restless, encroaching energy.