Untitled 5 (Zebras and Patterns)

Set against a saturated red field that reads like both warning flare and ceremonial ground, the zebras are pulled into a vertical choreography where stripes become a kind of visual handwriting—identity asserted, then unsettled. Serpentine, patterned forms coil through the composition like living currents, alternately binding and buoying the animals, so that ascent feels as precarious as it is triumphant. The stark black-and-white detailing creates a vibrating optical tension, turning the scene into a meditation on survival: bodies held aloft by the very forces that threaten to constrict them. In this suspended totem of motion, the work suggests a fragile ecology of interdependence, where grace is negotiated inside pressure rather than beyond it.