Over The Moonrise (Abstract in Green Tones)

This near-monochrome field of mossy greens and subdued blues reads like a memory surfacing through mist—an image withheld as much as it is revealed. Soft, circular luminosities hover within the upper register, suggesting submerged forms or distant architecture, while the painter’s delicate modulation of tone turns empty space into a breathing atmosphere. The work’s restraint becomes its drama: a meditation on perception itself, where light is not a spotlight but a slow seep, inviting the viewer to linger in uncertainty and discover quiet coherence.