Untitled 2

This work immerses the viewer in a submerged field of blue-green atmospheres, where angular, shadowed planes intersect like remembered architecture dissolving into water and time. The composition is built from assertive diagonals and veiled strata of pigment, creating a quiet friction between structure and erosion—certainty continually softened by haze. Flecks of muted yellow read as brief pulses of warmth, suggesting moments of clarity within an otherwise contemplative, nocturnal space. What emerges is a meditation on impermanence: the sense that forms—whether places, thoughts, or histories—persist most vividly as layered traces rather than fixed outlines.