Untitled 10 (Abstract Composition)

A warm ochre field meets a submerged band of cobalt, as if the painting is split between memory’s sunlit surface and a deeper, quieter undertow. Across this divide, encrusted flecks and scarred marks accumulate like sediment—evidence of time, abrasion, and repeated return—until the center ignites into a granular, almost luminous disturbance. The geometry that peeks through is never fully stable, suggesting architecture dissolving into atmosphere, a city or interior reduced to its emotional blueprint. What emerges is a meditation on thresholds: where structure gives way to erosion, and where clarity is briefly won through the very act of fragmentation.