Untitled 2 (Blue Abstract)

The painting stages a luminous breach at its center—an expanse of near-white that reads like an opening in the architecture of memory—while dense blue fields press in from the edges with the weight of sea and city alike. Layered planes, scraped textures, and faint linear scaffolding create a restless, collage-like geometry, as if built spaces are dissolving and reassembling in the same breath. Subtle incursions of ochre and rust warm the composition like buried residues of human presence, suggesting that beneath the cool clarity lies a history of contact, erosion, and return.