Untitled 2

Suspended in a field of muted olive, the work stages a slow drama of emergence: pale, vein-like contours split the lower mass into cellular chambers, as if a hidden geology is being mapped from within. Small, drifting fragments above read like particulate memories—thoughts or sediments—hovering before they settle, lending the composition a breathy, weightless counterpoint to the grounded forms. The restrained palette and soft, oxidized glow turn abstraction into a meditation on transformation, where boundaries feel both protective and precariously permeable.