Untitled 2 (Untitled 2)

A submerged field of teal and deep green holds the eye in a slow, contemplative drift, as if we are looking through water into a memory that resists clarity. Flecks and bars of incandescent yellow puncture the haze like coded signals—brief illuminations that suggest architecture, language, or a half-recalled map—while dark geometric blocks hover with the quiet weight of obstructed thought. The composition balances openness with interruption: broad atmospheric washes create spacious breath, yet each sharp insertion fractures that calm, staging a dialogue between serenity and unease. What emerges is a meditation on perception itself, where meaning arrives in fragments and the luminous becomes both guide and warning.