



This composition unfolds in stratified bands of weathered color, where cool greys and a sudden cobalt ascent are interrupted by ochre and ember—like horizons remembered rather than observed. The scraped, layered surface carries the sensation of time sedimenting, with small punctuations and hovering marks acting as quiet coordinates across an unstable terrain. Light here is not a single source but a pressure within the paint, pushing through veils of opacity to suggest both distance and intimacy. The work reads as a meditation on transition—between land and water, silence and signal—inviting the viewer to inhabit the space between certainty and atmosphere.







