

This abstract surface reads like a weathered palimpsest, where warm ochres and chalky whites repeatedly veil and reveal a bruised understructure of charcoal and slate. The composition’s diagonal surge creates a sense of tectonic movement—scraped, scumbled, and re-inscribed—so that space feels less like depth and more like memory accumulating in layers. Flecks of light behave as brief clearings in a storm of marks, suggesting resilience: moments of clarity arriving not by erasure, but by endurance through abrasion. In its restless interplay of opacity and exposure, the work becomes a meditation on how time alters what we think is solid, leaving beauty in the very act of undoing.