



This work turns the humble bookshelf into a coded architecture of memory, where spines, gaps, and leaning volumes read like an archive caught between preservation and erasure. A dusk-toned palette of soot greens and rusted reds is edged with incandescent tracery, as if each object is being re-inscribed by a faint electrical afterglow rather than illuminated by daylight. The rigid grid promises order, yet the drifting angles and ghostly drips suggest knowledge as something unstableβstored, censored, and slowly leaking beyond its compartments. In the surrounding field of repeated letterforms, language becomes both wallpaper and warning: a reminder that what we catalog is never fully what we can truly keep.







