

A field of burnished ochres and honeyed golds is ruptured by a vertical flare of white, as if a seam of light has been scraped open through accumulated time. Thick impasto and gritty deposits gather along the lower register like sediment—memory made tactile—while darker clusters pulse at the edges, anchoring the composition in quiet, earthly gravity. The paint’s drips and abrasions read as both erosion and emergence, suggesting a landscape not depicted but felt: a place where radiance and weathering coexist, and renewal is inseparable from residue.







