Untitled 35

This nocturnal abstraction stages a collision between mass and light: jagged, ship-like planes heave through a bruised field of blues and charcoals, while a sudden ember flare at the left margin reads like ignition, warning, or dawn held back. The paint is worked in layered sweeps and scraped passages, with flecks and drips that behave like particulate memory—ash, sea-spray, or shattered city light—binding the composition into a restless atmosphere. Space folds and re-forms as if the horizon has fractured, suggesting a psyche navigating instability where illumination arrives only in brief, hard-won intervals. In its tense balance of opacity and glint, the piece becomes a meditation on endurance: forms persist, but never without turbulence.