Untitled 5 (Diptych)

The painting stages a tense dialogue between architecture and atmosphere: blocky, tower-like forms rise as if half-remembered buildings, while veils of paint and downward drips dissolve their certainty into weather and time. Cool blues anchor the composition like pooled shadow or waterline, yet they are continually interrupted by bruised mauves, rusted oranges, and nervous green scaffolding marks that suggest construction, erosion, and renewal happening all at once. Space is treated as a layered palimpsest—transparent washes over dense strokes—so the city becomes less a place than a state of mind, where structure persists even as it slips into abstraction. In this friction between hard-edged geometry and liquid seepage, the work quietly narrates the fragility of our built assurances against the relentless flow of experience.