Untitled 2 (Diptych)

This painting fractures the picture plane into bold, abutting fields of color, where lavender, acid green, and saturated blues behave like architectural slabs—assertive yet precarious, held together by thin seams and drips that admit collapse. The glossy pours and gravity-fed runs read as time made visible, softening hard-edged geometry with a bodily sense of seepage, as if structure cannot help but reveal its vulnerabilities. Between opaque blocks and scraped, sketch-like passages, the work stages a quiet negotiation between control and accident, suggesting that coherence is less a fixed design than a continually repaired boundary.