

A grove of elongated, faucet-like stalks rises from an unmarked white field, their ink-dense bodies rendered with meticulous crosshatching that makes each form feel both engineered and strangely alive. The composition stages a quiet choreography of bends, spouts, and suspended droplets, suggesting an ecosystem where nourishment is mechanized and scarcity is implied by the vast, emptied space around it. In this tension between botanical growth and industrial apparatus, the work reads as a meditation on how nature is reroutedβlife reduced to valves, conduits, and controlled releaseβyet still insisting on a supple, organic grace.







